The Dichotomy of Twenty-First Century Native American Depictions: Edward S. Curtis’s Altered Piegen Lodge Photograph
In the early twentieth century, American anthropologists and photographers were scrambling to document the “vanishing race” of Native Americans who had endured centuries of struggle against European imperialists and settlers and whose culture was already imbued with the culture of white, European America. Those photographing Native Americans at this time presented idealized, romantic, static images of a people who in reality were experiencing a complex social, political and economic transition. Native American culture at this time was not the same as Native American culture before European contact, but nevertheless, anthropologists attempted to capture the romantic ideal of the “noble savage” and preserve the very culture that society at the same time was attempting to eradicate through assimilation. Thus, Native Americans at this time were not depicted as real, individual beings facing these complex factors, but were depicted as either representative of a culture that was believed to ...